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The Botanical Art Files Composition: The Design Guide for Botanical Artists (Volume 1), by Rita Parkinson
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This essential book is an inspiring, practical guide for botanical artists to develop the all important skills of composition.It looks beyond the essential technical skills to focus on this often neglected aspect.The book translates the essential visual skills that professional illustrators follow into the specific area of botanical subjects and the unique problems they involve. The guide will help you to understand and master the process of composition and learn how to create for yourself a sequence of stages that can elevate your work to a new level. It will help you to fully comprehend the underlying principles that all great works of art are structured around and translate them into an easy to understand working method for you to internalize and incorporate into your practice. After reading this book you will know:if negative space is really so important? Do I always need a focal point? What exactly is the Golden section and is it relevant today? Where does visual balance come into all of this? and much more......
- Sales Rank: #899647 in Books
- Published on: 2015-01-12
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .29" w x 8.00" l, .76 pounds
- Binding: Paperback
- 122 pages
About the Author
Rita Parkinson is a well-known and top exponent of this genre. She studied at S Martins School of Art in London. She is a freelance artist and illustrator. She holds a Gold medal from The Royal Horticultural Society.London and has been featured exhibitions at the Hunt Institute of Botanical Documentation. Carnegie-Mellon university. The Smithsonian Institute. Wash.DC. Kew Gardens. The New York Botanic Garden. The Sydney Botanic Garden and many more. Her works hang in collections in the U.S.A, the U.K, Australia, New Zealand, Holland, Switzerland. This book has evolved out of the teaching program at the Geelong Botanic Gardens. Australia with fellow illustrator Dolores Sk-Malloni
Most helpful customer reviews
17 of 20 people found the following review helpful.
Attempts to fill a gap, but disappointing
By Deborah Greener
As a student of botanical art and illustration, I was very excited to see a book published that deals solely with composition for this specialty. The authors are Australian botanical artists and educators who have written a book on what they term "the ten essential principles of visual design for botanical artists." Most botanical art books spend minimal time on this topic, addressing primarily the technical details of drawing in graphite, colored pencil or watercolor. In many ways this book has filled that gap. The book is well-organized and covers a wide-range of important topics. Unfortunately, there are some problems, and they are not insignificant. While the artwork is beautiful on the whole, some of it is so poorly printed that the details appear smudged or unclear, and some of the print legends are very small. Most of the problems with clarity and detail are in the representations of work in graphite (a specific example of poor legibility is the section called Working Drawings, pp18-19). Other artwork contains so little detail that by contrast it seems almost cartoonish. In some cases the artwork does not clearly demonstrate the concept under discussion or the topic is not explained clearly enough. An example is the section on the Rule of Thirds, Golden Section and Fibonacci sequence. Other sections contain confusing or contradictory material, such as the troubleshooting chart where a depiction of three pears is labeled a problem because "an even number of elements is often preferable as it can avoid an uncomfortable split." In the next row of the same chart the reader is urged to avoid an even number of elements for the same reason! There are also very significant grammatical errors throughout the book, including numerous words spelled incorrectly and many incomplete sentences. This lack of proper editing is irritating in what is obviously intended as a professional publication. In summary, while this book fills a welcome need in the botanical art community and presents a well-organized broad overview of concepts related to visual design applied to botanical art, the very poor editing and presentation of some of the artwork are very disappointing.
9 of 10 people found the following review helpful.
Of course they don't change the value of information but it's sad that there couldn't have beed a better job of ...
By dannie
Quite interesting. Unfortunately there are a number of typos. Of course they don't change the value of information but it's sad that there couldn't have beed a better job of editing.
4 of 6 people found the following review helpful.
FINALLY! the book I have been waiting for!
By Samantha Thornton
I must say this is a great book! Honestly, this is the book I have been waiting for... I find most books on botanical art will tell you how important composition is and will maybe devote one vague page to it if you're lucky, but this book gives you an insight into how it actually all works - hoorah! I would highly recommend this book to any artist who is looking for a more structured approach to the composition angle - it breaks down the process and the underlying principles, the illustrations seem to have been chosen because they demonstrate exactly this principle... beautifully laid out, easy to follow, incredibly beautiful and skillfully executed. BIG TICK! Love it, 5 stars :)
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